HOURS: Tues-Fri 11:00-5:00, Sat 11:00-7:00, Sun 12:00-5:00. Call (207)253-6808 or visit us as 661 Congress St in Portland, Maine! ----- IMPORTANT SHIPPING NOTE: Orders placed 12/15 onward: Shipping will be delayed until each following Monday, as I will be away from the shop due to a family health-related situation up north. Staff is still available via phone or in the shop to assist you, though!
HOURS: Tues-Fri 11:00-5:00, Sat 11:00-7:00, Sun 12:00-5:00. Call (207)253-6808 or visit us as 661 Congress St in Portland, Maine! ----- IMPORTANT SHIPPING NOTE: Orders placed 12/15 onward: Shipping will be delayed until each following Monday, as I will be away from the shop due to a family health-related situation up north. Staff is still available via phone or in the shop to assist you, though!
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Cabarets of Death : Death, Dance & Dining in Early 20-Century Paris by Mel Gordon
Strange Attractor Press

Cabarets of Death : Death, Dance & Dining in Early 20-Century Paris by Mel Gordon

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Trade Paperback.  Copiously illustrated!  Recommended!

Three idiosyncratically macabre cabaret-restaurants in Montmartre, each with its own grotesque portrayal of the afterworlds of Hell, Heaven, and Nothingness.

From 1892 until 1954, three cabaret-restaurants in the Montmartre district of Paris captivated tourists with their grotesque portrayals of death in the afterworlds of Hell, Heaven, and Nothingness. Each had specialized cuisines and morbid visual displays with flashes of nudity and shocking optical illusions. These cabarets were considered the most curious and widely featured amusements in the city. Entrepreneurs even hawked graphic postcards of their ironic spectacles and otherworldly interiors.

Cabarets of Death documents the dinner shows, the character interactions with guests, and the theatrical goings-on in these unique establishments. Presenting original images and drawings from contemporary journals, postcards, tourist brochures, and menus, Mel Gordon leads a tour of these idiosyncratically macabre institutions, and grants us unique access to a form of popular spectacle now gone.

Edited by Joanna Ebenstein